| Spiral Jetty, geoaesthetics, and art: Writing the Anthropocene S Ballard, L Linden The Anthropocene Review 6 (1-2), 142-161, 2019 | 13 | 2019 |
| Reframing Pictures: Reading the Art of Appropriation L Linden Art Journal 75 (4), 40-57, 2016 | 13 | 2016 |
| Women with cameras: The invention of the selfie in the photography of Anne Collier L Linden Camera Obscura: Feminism, Culture, and Media Studies 34 (2), 195-207, 2019 | 2 | 2019 |
| Making ourselves visible J Kennedy, L Linden | 2 | 2013 |
| Art Writing and Allegory in the Anthropocene L Linden, S Ballard October, 88-108, 2021 | 1 | 2021 |
| Alone in the Crowd: Appropriated Text and Subjectivity in the Work of Rirkrit Tiravanija L Linden Third Text 30 (3-4), 159-172, 2016 | 1 | 2016 |
| Roundtable on Warhol v. Goldsmith: An Introduction to Warhol v. Goldsmith. Grey Room 2024;(94): 20–49. L Linden Grey Room 94, 20, 2024 | | 2024 |
| Roundtable on Warhol v. Goldsmith: An Introduction to Warhol v. Goldsmith A Adler, L Bently, S Bielstein, J Burton, M Buskirk, NM Elcott, J Ginsburg, ... Grey Room, 20-49, 2024 | | 2024 |
| Target practice: reading the art of appropriation L Linden | | 2017 |
| TELETHON J Kennedy, L Linden | | 2017 |
| Utopia is no place, Utopia is process (Poster) J Mabey, G Belleveau, H Black, A Crossman, K Gilmore, G Hileman, ... | | 2016 |
| The New York Times Feminist Reading Group: 2014 Yearbook J Kennedy, L Linden Revolver Publishing, 2014 | | 2014 |
| Karen Azoulay: Carnation Thunder L Linden C Magazine, 41, 2011 | | 2011 |
| Inside Out: Representations of Women and Work on Popular Television. J Kennedy, L Linden Journal of Critical Studies in Business & Society 1, 2010 | | 2010 |
| Picturing Buildings through Niemeyer L Linden | | 2010 |
Susan BallardProfessor of Art History, Te Herenga Waka Victoria University of WellingtonVerified email at vuw.ac.nz
