| A day for the hunter, a day for the prey: Popular music and power in Haiti G Averill University of Chicago Press, 2008 | 373 | 2008 |
| Zouk: world music in the West Indies J Guilbault University of Chicago Press, 1993 | 351 | 1993 |
| Four Parts, No Waiting: A Social History of American Barbershop Quartet G Averill Oxford University Press, 2003 | 156 | 2003 |
| Making & selling culture RM Ohmann, G Averill (No Title), 1996 | 97 | 1996 |
| Music in Latin American Culture: Regional Traditions JM Schechter Schirmer, 1999 | 89 | 1999 |
| Anraje to Angaje: Carnival politics and music in Haiti G Averill Ethnomusicology 38 (2), 217-247, 1994 | 78 | 1994 |
| “Mezanmi, Kouman Nou Ye? My Friends, How Are You?”: Musical Constructions of the Haitian Transnation G Averill Diaspora: A Journal of Transnational Studies 3 (3), 253-271, 1994 | 52 | 1994 |
| Haitian dance bands, 1915–1970: class, race, and authenticity G Averill Non-Western Popular Music, 489-521, 2017 | 48 | 2017 |
| Where’s ‘one’?”: Musical encounters of the ensemble kind G Averill Performing ethnomusicology: Teaching and representation in world music …, 2004 | 45 | 2004 |
| Global imaginings G Averill Making and selling culture, 203-223, 1996 | 44 | 1996 |
| A Day for the Hunter G Averill A Day for the Prey: Popular Music and Power in, 1997 | 34 | 1997 |
| Ethnomusicologists as public intellectuals: Engaged ethnomusicology in the university G Averill Department of Folklore and Ethnomusicology, Indiana University, 2003 | 32 | 2003 |
| Bell tones and ringing chords: Sense and sensation in barbershop harmony G Averill The World of Music, 37-51, 1999 | 26 | 1999 |
| ‘Se Kreyol Nou Ye’/‘We’re Creole’: Musical Discourse on Haitian Identities G Averill Music and Black Ethnicity: The Caribbean and South America, 175-186, 1994 | 24 | 1994 |
| Cantometrics and cultural equity: The academic years G Averill Alan Lomax: Selected writings 1997, 230-244, 1934 | 22 | 1934 |
| Militarism in Haitian Music 1 G Averill, YMD Yih The African Diaspora, 267-293, 2018 | 21 | 2018 |
| Ballad hunting in the black republic: Alan Lomax in Haiti, 1936-37 G Averill Caribbean Studies, 3-22, 2008 | 21 | 2008 |
| Haitian dance band music: The political economy of exuberance. G Averill | 19 | 1991 |
| Toujou sou konpa: Issues of change and interchange in Haitian popular dance music G Averill Zouk: World music in the West Indies, edited by Jocelyne Guilbault, with …, 1993 | 14 | 1993 |
| Moving the Big Apple Tabou Combo's Diasporic Dreams¹ G Averill Island Sounds in the Global City: Caribbean Popular Music and Identity in …, 1998 | 13 | 1998 |
