| Framing audience prefigurations of The Hobbit: An Unexpected Journey: The roles of fandom, politics and idealised intertexts CH Davis, C Michelle, A Hardy, C Hight | 29 | 2014 |
| The last patriarch A Hardy Cambridge University Press, 2000 | 23 | 2000 |
| The Hobbit hyperreality paradox: Polarization among audiences for a 3D high frame rate film C Michelle, CH Davis, C Hight, AL Hardy Convergence 23 (3), 229-250, 2017 | 21 | 2017 |
| Fans, blockbusterisation, and the transformation of cinematic desire: global receptions of the Hobbit film trilogy C Michelle, CH Davis, AL Hardy, C Hight Springer, 2017 | 18 | 2017 |
| Using the stars to indigenize the public sphere: Matariki over New Zealand A Hardy, H Whaanga Religions 10 (7), 431, 2019 | 12 | 2019 |
| An unexpected controversy in Middle-earth: Audience encounters with the ‘dark side’of transnational film production C Michelle, AL Hardy, CH Davis, C Hight Transnational cinemas 6 (1), 49-66, 2015 | 12 | 2015 |
| Return of the Taniwha: The re-spiritualization of land and film in Aotearoa A Hardy British Review of New Zealand Studies 14 (4), 87-104, 2003 | 12 | 2003 |
| Women, religion, and food: Indian diasporic film in New Zealand A Zalipour, A Hardy Women's Studies 45 (8), 775-789, 2016 | 11 | 2016 |
| Re-designing the national imaginary: The development of Matariki as a contemporary festival A Hardy Australian Journal of Communication 39 (1), 101-117, 2012 | 11 | 2012 |
| Making global audiences for a Hollywood ‘blockbuster’feature film: Marketability, playability and The Hobbit: An Unexpected Journey (2012) CH Davis, C Michelle, A Hardy, C Hight Journal of Fandom Studies 4 (1), 105-125, 2016 | 10 | 2016 |
| Pleasure, disaffection,‘conversion’or rejection? The (limited) role of prefiguration in shaping audience engagement and response C Michelle, CH Davis, AL Hardy, C Hight International Journal of Cultural Studies 20 (1), 65-82, 2017 | 7 | 2017 |
| Modes of engagement among diasporic audiences of Asian New Zealand film A Zalipour, C Michelle, A Hardy The Communication Review 17 (4), 311-335, 2014 | 7 | 2014 |
| Migrant and diasporic film and filmmaking in New Zealand A Zalipour Springer, 2019 | 6 | 2019 |
| Reporting on evangelical Christian protest in the New Zealand media: the case for training in religion Journalism A Hardy Australian Journalism Review 29 (1), 63-74, 2007 | 6 | 2007 |
| Destiny breaks through media screens A Hardy Papers from the Trans-Tasman Research Symposium,'Emerging Research in Media …, 2005 | 6 | 2005 |
| Heavenly creatures and transcendental style: a literal reading A Hardy Illusions 26, 2-9, 1997 | 5 | 1997 |
| Matariki hunganui: te papa tongarewa and the celebration of matariki, the māori new year A Hardy Material Religion 12 (3), 396-398, 2016 | 4 | 2016 |
| Reservoir Hill and Audiences for Online interactive Drama C Hardy, Ann, Hight, C. & Michelle Participations: Journal of Audience and Reception Studies 8 (2), 616-643, 2011 | 4* | 2011 |
| Destiny, the Exclusive Brethren and mediated politics in New Zealand A Hardy Mediating Faiths: Religion and Socio-Cultural Change in the Twenty-first …, 2011 | 4* | 2011 |
| From mokomokai to upoko tuhi: changing representations of Maori cultural property in film A Hardy Screening the Past 24, 1-7, 2009 | 4 | 2009 |
Carolyn MichelleVerified email at waikato.ac.nz
Carolyn MichelleVerified email at waikato.ac.nz