| Q methodology in audience research: Bridging the qualitative/quantitative ‘divide’ CH Davis, C Michelle Participations: Journal of Audience and Reception Studies 8 (2), 559-593, 2011 | 249 | 2011 |
| Modes of reception: A consolidated analytical framework C Michelle The Communication Review 10 (3), 181-222, 2007 | 158 | 2007 |
| Understanding Variation in Audience Engagement and Response: An Application of the Composite Model to Receptions of Avatar (2009) C Michelle, CH Davis, F Vladica The Communication Review 15 (2), 106-143, 2012 | 49 | 2012 |
| Transgressive technologies? Strategies of discursive containment in the representation and regulation of assisted reproductive technologies in Aotearoa/New Zealand C Michelle Women's Studies International Forum 29 (2), 109-124, 2006 | 48 | 2006 |
| Discursive manoeuvres and hegemonic recuperations in New Zealand documentary representations of domestic violence C Michelle, CK Weaver Feminist Media Studies 3 (3), 283-299, 2003 | 47 | 2003 |
| 'Human clones talk about their lives': media representations of assisted reproductive and biogenetic technologies C Michelle Media, Culture & Society 29 (4), 639-663, 2007 | 39 | 2007 |
| Co-constructions of gender and ethnicity in New Zealand television advertising C Michelle Sex roles 66, 21-37, 2012 | 30 | 2012 |
| Framing audience prefigurations of The Hobbit: An Unexpected Journey: The roles of fandom, politics and idealised intertexts CH Davis, C Michelle, A Hardy, C Hight | 29 | 2014 |
| (Re) contextualising audience receptions of reality TV C Michelle University of Wales 6 (1), 137-170, 2009 | 24 | 2009 |
| The Hobbit hyperreality paradox: Polarization among audiences for a 3D high frame rate film C Michelle, CH Davis, C Hight, AL Hardy Convergence 23 (3), 229-250, 2017 | 21 | 2017 |
| Fans, blockbusterisation, and the transformation of cinematic desire: global receptions of the Hobbit film trilogy C Michelle, CH Davis, AL Hardy, C Hight Springer, 2017 | 18 | 2017 |
| Beyond the Qualitative/Quantitative 'Divide': Reflections on the Utility and Challenges of Q Methodology for Media Researchers C Michelle, CH Davis The international encyclopedia of media studies, 112-134, 2012 | 17 | 2012 |
| An unexpected controversy in Middle-earth: Audience encounters with the ‘dark side’ of transnational film production C Michelle, AL Hardy, CH Davis, C Hight Transnational Cinemas 6 (1), 49-66, 2015 | 12 | 2015 |
| Media (ted) fabrications: How the science-media symbiosis helped ‘sell’ cord banking C Michelle Mouton de Gruyter 3 (1), 55-68, 2006 | 11 | 2006 |
| Making global audiences for a Hollywood ‘blockbuster’ feature film: Marketability, playability and The Hobbit: An Unexpected Journey (2012) CH Davis, C Michelle, A Hardy, C Hight The Journal of Fandom Studies 4 (1), 105-125, 2016 | 10 | 2016 |
| Public communication compromised: The impact of corporate sponsorship on a pro-social media campaign CK Weaver, C Michelle Australian journal of communication 26 (3), 83-97, 1999 | 8 | 1999 |
| Pleasure, disaffection, ‘conversion’ or rejection? The (limited) role of prefiguration in shaping audience engagement and response C Michelle, CH Davis, AL Hardy, C Hight International Journal of Cultural Studies 20 (1), 65-82, 2017 | 7 | 2017 |
| Modes of engagement among diasporic audiences of Asian New Zealand film A Zalipour, C Michelle, A Hardy The Communication Review 17 (4), 311-335, 2014 | 7 | 2014 |
| 'Motherhood', 'the Family’, and Murphy Brown: New Zealanders’ Receptions of an American Sitcom Text C Michelle Unpublished doctoral dissertation, University of Waikato, New Zealand, 1998 | 6* | 1998 |
| Connecting women in the age of difference: Re-thinking gender in twenty-first century Aotearoa New Zealand MM Campbell, C Michelle, R Simon-Kumar Women's Studies Association New Zealand 25 (2), 2-8, 2011 | 5 | 2011 |
Ann HardySenior Lecturer, Screen & Media Studies, Waikato UniversityVerified email at waikato.ac.nz
