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Fabio Morreale
Fabio Morreale
Senior Lecturer, University of Auckland
Verified email at auckland.ac.nz - Homepage
Title
Cited by
Cited by
Year
Design for Longevity: Ongoing Use of Instruments from NIME 2010-14
F Morreale, A McPherson
New Interfaces for Musical Expression, 2017
582017
Musical Interface Design: An Experience-oriented Framework
F Morreale, A De Angeli, S O’Modhrain
New Interfaces for Musical Expression, 2014
482014
Building a maker community around an open hardware platform
F Morreale, G Moro, A Chamberlain, S Benford, AP McPherson
Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems …, 2017
472017
Collaborative creativity: The music room
F Morreale, A De Angeli, R Masu, P Rota, N Conci
Personal and Ubiquitous Computing 18 (5), 1187-1199, 2014
332014
NIME Identity from the Performer’s Perspective
F Morreale, AP McPherson, MM Wanderley
New Interfaces for Musical Expression, 2018
322018
Musical instruments for novices: Comparing NIME, HCI and crowdfunding approaches
A McPherson, F Morreale, J Harrison
New directions in music and human-computer interaction, 179-212, 2019
292019
A quality adaptive multimodal affect recognition system for user-centric multimedia indexing
R Gupta, M Khomami Abadi, JA Cárdenes Cabré, F Morreale, TH Falk, ...
Proceedings of the 2016 ACM on international conference on multimedia …, 2016
252016
Robin: an algorithmic composer for interactive scenarios
F Morreale, R Masu, A De Angeli
Proceedings of SMC 2013, 10th, 2013
252013
The effect of expertise in evaluating emotions in music
F Morreale, R Masu, A De Angeli, P Fava
The 3rd International Conference on Music & Emotion, Jyväskylä, Finland …, 2013
232013
Democratising DMIs: the relationship of expertise and control intimacy
RH Jack, J Harrison, F Morreale, A McPherson
New Interfaces for Musical Expression, 2018
212018
Evaluating visitor experiences with interactive art
F Morreale, A De Angeli
Proceedings of the 11th Biannual Conference on Italian SIGCHI Chapter, 50-57, 2015
172015
Auditory recognition of floor surfaces by temporal and spectral cues of walking
F Fontana, F Morreale, T Regia-Corte, A Lécuyer, M Marchal
International Community for Auditory Display, 2011
152011
In-the-moment and beyond: Combining post-hoc and real-time data for the study of audience perception of electronic music performance
SM Astrid Bin, F Morreale, N Bryan-Kinns, AP McPherson
IFIP Conference on Human-Computer Interaction, 263-281, 2017
142017
A NIME of the Times: Developing an Outward-Looking Political Agenda For This Community
F Morreale, SMA Bin, AP McPherson, P Stapleton, MM Wanderley
New Interfaces for Musical Expression, 2020
132020
Collaborating with an autonomous agent to generate affective music
F Morreale, A De Angeli
Computers in Entertainment (CIE) 14 (3), 1-21, 2016
122016
Magpick: an augmented guitar pick for nuanced control
F Morreale, A Guidi, A McPherson
New Interfaces for Musical Expression, 2019
112019
When is a Guitar not a Guitar? Cultural Form, Input Modality and Expertise.
J Harrison, RH Jack, F Morreale, AP McPherson
NIME, 299-304, 2018
112018
Sound forest/ljudskogen: A large-scale string-based interactive musical instrument
R Bresin, L Elblaus, E Frid, F Favero, L Annersten, D Berner, F Morreale
Sound and Music Computing 2016, 79-84, 2016
102016
Robinflock: a Polyphonic Algorithmic Composer for Interactive Scenarios with Children
R Masu, A Conci, C Core, A De Angeli, F Morreale
14th Sound and Music Computing SMC, 125-132, 2017
92017
" The finer the musician, the smaller the details": NIMEcraft under the microscope
J Armitage, F Morreale, A McPherson
New Instruments for Musical Expression, 2017
82017
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