| Minimal understandings: The Berlin decade, the minimal continuum, and debates on the legacy of German Techno S Nye Journal of Popular Music Studies 25 (2), 154-184, 2013 | 30 | 2013 |
| Love Parade, please not again: A Berlin cultural history S Nye ECHO: A Music-Centered Journal 9 (1), 2009 | 24 | 2009 |
| What is Teutonic?-An Update on the German Question S Nye na, 2012 | 13 | 2012 |
| From Punk to the Musical: South Park, Music, and the Cartoon Format S Nye Music in Television, 143-164, 2011 | 11 | 2011 |
| The tragic: a question of art, not philosophy of history KH Bohrer, S Nye, R Felski New literary history 41 (1), 35-51, 2010 | 9 | 2010 |
| The Love Parade: European Techno, the EDM Festival, and the Tragedy in Duisburg S Nye, R Hitzler, G McKay The Pop Festival: History, Music, Media, Culture, 115-128, 2015 | 8 | 2015 |
| Teutonic time-slip: Travels in electronic music, technology, and German identity 1968-2009 SC Nye University of Minnesota, 2013 | 8 | 2013 |
| Headphone–Headset–Jetset: DJ Culture, Mobility and Science Fictions of Listening S Nye Dancecult: Journal of Electronic Dance Music Culture, 64–96-64–96, 2011 | 8 | 2011 |
| Von ‚Berlin Minimal ‘zu ‚Maximal EDM ‘. Genrediskurse zwischen Deutschland und den USA S Nye Feser, Kim/Pasdzierny, Matthias (Hg.): Techno studies. Ästhetik und …, 2016 | 6 | 2016 |
| Where is Duisburg? An LP Postscript R Hitzler, S Nye Dancecult: Journal of Electronic Dance Music Culture 2 (1), 2011 | 5 | 2011 |
| Review Essay: Run Lola Run and Berlin Calling S Nye Dancecult: Journal of Electronic Dance Music Culture, 2010 | 3 | 2010 |
| " Do You Know What It Will Look like?" on the Relevancy of Adorno's Theory of Society R Tiedemann Cultural Critique, 123-136, 2008 | 3 | 2008 |
| Generation X, South Park, and Television Music Composition: An Interview with Adam Berry Conducted by Sean Nye A Berry, S Nye Music in Television: Channels of Listening, 217-225, 2011 | 2 | 2011 |
| Minimal Understandings: Wolfgang Voigt and Uwe Schmidt on the Legacy of Techno S Nye Conference presentation at German Studies Association Conference 7 (11), 2010 | 2 | 2010 |
| Listening in the Waiting Room: Feuchtwanger on the Acoustics of Exile S Nye Feuchtwanger and Judaism: History, Imagination, Exile, 215-45, 2019 | 1 | 2019 |
| Lost and Sound: Berlin, Techno, und der Easyjetset (Rapp) S Nye Dancecult: Journal of Electronic Dance Music Culture, 2009 | 1 | 2009 |
| Modeselektor's Happy Birthday! S Nye Bloomsbury Publishing, 2022 | | 2022 |
| Dutch Dance, 1988-2018: How the Netherlands Took the Lead in Electronic Music Culture (Mark van Bergen, Trans. Andrew Cartwright) S Nye Dancecult: Journal of Electronic Dance Music Culture 13 (1), 148–151-148–151, 2021 | | 2021 |
| Sprockets + Autobahn: Kraftwerk Parodies, German Electronic Music, and Retro Dreams in Amerika S Nye Dreams of Germany: Musical Imaginaries from the Concert Hall to the Dance …, 2019 | | 2019 |
| Théories minimales: l’esthétique berlinoise et l’héritage de la techno allemande S Nye, G Heuguet Audimat, 105-137, 2018 | | 2018 |
